Sheasby Sheasby

Into The Wild

I spent Saturday night in the wild

I’ve wanted to try it for a long time

Im not talking about camping, with tents and gear

I mean walking into the bush

Finding a natural shelter

Making a fire

And spending the night under the stars

So me and a buddy hiked a few hours into the Blue Mountains

Found a river

(And a Brown snake)

And placed our sleeping bags under a collection of big boulders where we had some protection from the elements

As darkness fell, the heartbeats started to rise

We had a fire

Some meat from a lamb I butchered a few months ago

And a hip flask of whiskey (thanks Jack)

But as we lost the light

So too we lost the sense of knowing what was around us 

And at midnight, a crack of thunder burst through the darkness

The wind hurled ambers in our faces

The rain drenched our fire, taking with it the last remaining light

And water began to run down the sides of the rocks above us

Very quickly, we felt very small

And for about an hour, I didn’t stop smiling

I’m still trying to figure out why

Maybe it was the acceptance that there were so few things I could control

Maybe it was that I had so few choices available for me to make

Maybe it was simply being in nature, a place I have found solace in since I was very young 

But reflecting on it in my warm bed this morning

There was a humility that night 

One that maybe I haven’t felt in a while

That nature can put me back in the soil anytime she wants

And no matter how hard I try

How much I want to achieve certain things

How much I want to control things or be sure they will happen

At the end of the day

Im just a small vulnerable human being

Who has no idea why he’s here, or what what he’s doing

I think what I felt that night

(which Im not feeling even just 36 hours later as I write this back in my comfort zone)

Was the deep acceptance of not knowing

That I don’t know… and that that’s okay

Hope this helps

x

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Sheasby Sheasby

Balls in Holes

Once upon a time

I was helping a golfer

He was about to fly overseas to represent Australia in a big tournament in Canada

After hearing him talk about about the competition, the politics of golf, and all the things out of his control

I asked him what he wanted

He spent the next hour telling me what he didn’t want

Quite normal

We are human beings

Designed to survive 

Always trying to protect ourselves from danger (both real and perceived)

He didn’t want to do badly 

He didn’t want to land in the bunkers

He didn’t want to look stupid 

But most of all, he didn’t want to hit a crowd member as he teed off

It sounded pretty exhausting

The infinite possibilities of things he didn’t want

So I asked him again

“What do you want?”

He got the gist, realising he was focussing on all his past frustrations and future anxieties 

We began talking about the best experiences he’d had 

The times when he felt proudest of his performance

The times he felt the most energised

The times when he felt in flow

He told me about what it was like to play golf when he was a kid

The play, the freedom, the being in nature, the connection, the clarity, the clean and easy swing, the focus, the joyful obsession

Then he went quiet

He was clicking into something

He looked up at me with an expression like a toddler

Carefree, present, calm, joyful, easy

And with a smile, he said

“Mike, I just wanna put the fuckin ball in the hole”

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Sheasby Sheasby

Thank You, Baba

When my mate Sam was in a coma, and breaking the record at royal north shore hospital for most days spent in ICU (446 baby!)

I had plenty of time to sit and chat to the nurses

This was at a time when I had recently graduated from drama school

Oh yeah, absolutely at the height of my pretentiousness :)

I remember Baba

One of Sam’s incredible helpers (angels), who had recently immigrated from Uganda

We were talking about film

I asked what her favourites were

“Love Actually” she replied

I laughed (but kinda scoffed)

She looked at me and smiled

And then said something which still gets me 10 years later

“You know Michael, not many people love what they do.

A lot of people work tough jobs, which they don’t like, all day, 

and when they get home, they want to spend a little bit of time enjoying their life.

Maybe put something on the telly which helps them escape for a while, imagine a different life, find some bliss.”

Enough said

Thank you Baba x

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Sheasby Sheasby

346 Auditions

7 years

346 auditions (avg 1 per week)

Out of those, ive only really wanted 10

Out of those 10, I’ve got 5… 

Thats a 50% strike rate when really want it

Mmm

Time for me to try something different?

Curious

What if I only invested my energy into auditions I really wanted?

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Sheasby Sheasby

DIY Career

Hey

K.I.S.S

Keep It Simple, Stupid

Here’s 9 steps to help create a career on your terms

  1. Identify & accept your secret sauce. What is the most generous thing you can give to the audience that no one else can give?

  2. Be clear & honest about what you really want.

  3. Clarify how you have to behave in order to allow what you really want to come to you… then try behave that way.

  4. Create a process for responding to pressure the way you really want to… practice it often.

  5. Clarify your process for practice. Do you practice in a way which allows for you to actually get better?

  6. Clarify your process for opportunities. How do you give the work you really want to give when it actually counts?

  7. Clarify your game plan process. How do you prepare for your next role so you give your best when you show up to work?

  8. Clarify your game day process. How do you make sure you leave set knowing you gave the work you really wanted to give?

  9. Clarify your process for waiting. How do you live the way you really want to, regardless of whether you get the gig or not?

Hope this helps

Sending hugs

m

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Sheasby Sheasby

What Drama School Never Gave Me

Once upon a time

I was listening to a wizard

John Danaher 

He was talking about the moment he realised why Brazilian Jiu Jitsu was dominating the mixed martial arts scene in the early nineties 

What’s this got to do with acting?

Trust me.

For thousands of years 

People argued over which martial art was most effective

Boxing

Wrestling

Judo

Sumo

Muay Thai

Kung Fu

Karate

Thai Chi

Etc etc

“I could beat you with my judo throw bro”

“Nah, I spent years meditating in a cave in the Himalayas and have a secret touch of death”

The argument ensued 

Eventually

They began placing two people from different martial arts backgrounds in a ring for the ultimate reality check

And very quickly

They found the answer to the age old question 

Which martial art was most effective?

Brazilian Jiu Jitsu 

“The Gentle Art”

But why?

Back to the wizard

One night

He was scribbling with his pad and pen

Why is Brazilian Jiu Jitsu dominating?

Many martial arts have take downs

Other martial arts have submissions 

So what makes Jiu Jitsu so special?

Then It clicked

Whilst other martial arts had technical moves

Brazilian Jiu Jitsu had a SYSTEM

Simple steps

One, two, three, four

And you’ve achieved your goal

And at any point

If things aren’t going your way

You can disengage

And start again

A clear and simple system

Not necessarily easy

But simple

And simple means sustainably doable 

When I heard this

I got so fucking jealous

Three years of drama school

Ten years of experience in the industry

Hundreds of classes

Thousands of dollars working privately with coaches

Yes - they gave me techniques

But those techniques were for the same areas

Over and over again

How to warm up my voice and body

How to analyse a script

How to break down a scene

All obviously important

But when I looked at everything I did as an actor

Holistically 

On the daily

Every day

Over the course of an entire year

Every year

I realised I was only taking care of a very small part of being an actor

And neglecting the rest

So to clarify

Whats the most important problem here?

No one ever gave me a system for having an acting career

Mmmmmm

So I pulled my socks up

Made some changes

Created a system for having an acting career

And I went from sleeping on a wet mattress 

To being nominated alongside my heroes

So I thought I would give it over to you guys

On a shitty bit of paper

I hope it helps

Now, all these stages of the system have their own subset of systems

I’ll break it down a bit… 

To begin with

Lets look at the core

Our foundation upon which everything else is built

Why

Why do I act?

Whats my purpose?

In order to feel what?

Doesn’t need to be something heady - could be a feeling or a memory?

The body knows

How

How do I go about delivering my purpose?

If the why is clear, the how will take care of itself

And now for the actual stages…

1) Practice: Actually Get Better

Am I going to practice (class or private sessions) in order to get better?

Or am I going because I simply want approval from a group or a teacher?

Which is absolutely fine

I’m a human being

Our species has survived because of connection

So it’s built into my system

But I at least want to be aware of my intention before I spend money and walk into that room

Here are some things which drastically influenced the way I practice

One - Learning about the human brain, the way it protects itself & developing a growth mindset

Two - Learning about the training practices of my favourite athletes and artists

Some Areas of Focus:

  • What are the most important problems I have?

  • Whats my system for responding to pressure (fear) and how can I practice it?

  • Class - Why that class? Why that teacher? 

  • Working privately with coaches / teachers - why them?

  • How do I replace a fixed thinking with a growth mindset?

2) Opportunity: Give what I actually want to give

Am I walking out of opportunities feeling like I actually gave the work I truly wanted to give?

Or am I walking out wanting to find the nearest inanimate object to kick and punch because I held back, succumbed to fear, and compromised my work?

Some Areas of Focus:

  • Whats my system for an audition?

  • Whats my system for a self tape?

  • What about call backs? or test deals?

  • Whats my system for a meeting?

3) Game Plan: Prep to play

Got the job?

Awesome!

Now what?

Ugh

The amount of times I got a gig 

And rather than celebrating

I felt a gross gulp in the back of my throat

Complete overwhelm

Dear god now what!?

One of my favourite questions to help bring clarity and honest action…

What do I need to do, in order to get where I need to get, so I can give what I need to give ?

Some Areas of Focus:

  • Character - How do I build a character my way?

  • Logistics - What do I have to do in between now and the first day on set so that everything falls into place as smoothly as possible?

  • Support Team - If I’m the head of the department for my character, who’s my support team? (agents, managers, coaches, voice coach, assistants, family, etc etc)

  • MIPs - What are the most important problems that could arise and how will I deal with them?

  • To Do list - whats my priority? 

4) Game Day: Play on the Day

My first few jobs out of drama school 

I would exhaust myself in those first 72 hours on set 

Because I was so afraid of being terrible

Not very sustainable

And the work would inevitably suffer

So how do I give my work

With joy

And with ease

All day

Every day 

For weeks or months on end?

Some Areas of Focus:

  • Rest - “You want to play good? Sleep good” (Thank you, Cristiano Ronaldo)

  • Warm up - How to do this sustainably and effectively when you’re filming 14 hours every day?

  • Energy management - How can I give my best, on cue, all day, every day?

  • Rituals - How do I shift into gear when I need to? (And when I’ve been waiting 7 hours on set and I’m tired and cranky)

  • MIPs - Most important problems that may arise, and how will I deal with them? (Mmm how many times have a shied away from that difficult conversation on set and its made things 7 times harder in the long run)

5) Sharing: Giving the work to the world 

I have spent most of my career in denial on this point

So the last few years have been a wake up call for me

Simply put…

The more people who are watching the work I’m in

The more opportunities i’ll get to actually keep working

I’m in the business of acting

Regardless of how much I might want to “just be an artist maaaaaaan”

I would like to be an artist, sustainably 

For a long time

Reality check…

Daniel Day Lewis doesn’t get the Oscar 

Unless he goes on Oprah and shares his story of how he found Lincoln’s voice

Then theres a story to sell

And more people go watch the work

And he gets to go work again when he wants

(or retire, whatever)

Buts whats most important here?

He shares the work his way

He does him

Which to me, is the real trick

So

How can I share my work my way?

How can I do media my way?

I’ll keep pondering that question

Some Areas of Focus:

  • On set media

  • Photo shoots

  • Short form interviews (ew)

  • Long form interviews

  • Red Carpet

6) Living: How to float

An important person in my life used to be a surf life saver

She told me how to avoid drowning in a rip

Most people think there are only two options when they’re feeling overwhelmed and out of control

Sink, or Swim

But they explained a third option

Floating

Sometimes the most helpful thing can be to just lay back and focus on the breath

But this requires some responsibility 

The ability to respond

Not react

To whats going on around me

This got me thinking

If I want to have a long career

I’m guaranteed to be waiting

For weeks, months or even years

So how do I float?

How do I “wait well”?

How do I live my life

Fully

Regardless of no acting work coming in…

Regardless of whats currently hot or not in the industry…

Regardless of that director taking months to make that decision which seals my fate…

Regardless of those investors pulling out, causing the film to be put on hold… again.

How do I wait my way?

Some Areas of Focus:

  • Following curiosity 

  • Taking care of those “golf ball” areas of life (Wealth, Health, Connection, Environment, Contribution, etc)

  • Dealing with failure

Alrighty 

I’m out

My fingers are tired

If you have any thoughts or questions

Hit me back

Sending hugs

m

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Sheasby Sheasby

Start Again

Above is a picture of my boots

Might mean nothing to you, but to me, these bad boys mean the world 

They symbolise something very special to me

They symbolise me giving up


When I was 25 I achieved my dream

And it was the worst experience of my life

After a decade of training, classes, wearing tights for 3 years at drama school, embarrassing auditions, humiliating rejections… 

I was finally leading on stage at the Sydney Opera House

It was a beautiful production

Critically and commercially a great success

An amazing ensemble of actors

An incredible team of creatives and production crew

And a beautiful pair of brown leather boots for my character


I had every opportunity to fly

But I didn’t

I fell on my face

Hard


I realised two things:

  1. I had no understanding of how to respond to pressure

  2. I had no ownership over my career - I wasn’t ‘doing me’

As the nerves, self doubt, negative self talk and anxiety slowly began creeping in each night

I began giving up hope

And by half way through the tour, my best mate Damo (also in the show with me) caught me on stage smudging tears off my cheek with my back to the audience

I didn’t know what I could do about the sense of dread I felt before my feet stepped onto that stage each night


And by the time the show had run its course

I was a bitter, resentful actor

Quick to blame things outside of my control

Finding all the proof I could to back up whatever fearful thoughts I was having


I then had the opportunity to go be on set with DiCaprio for two days

I hated him

He was effortless

It looked like he was just having a ball

But most of all, it looked like he just didn’t give a fuck

Like he was just playing freely and giving whatever work he wanted to

I found myself excusing his on-set success because of other factors…

His fame

His hair

His cool vape

He even got to have his mum on set - I mean c’mon

And I became so… so tired

Of all the shit that I was telling myself


The truth was, he was doing what he wanted, and doing it so well

And when the pressure was on, when 150 million dollars was on the line and it was time for his close up… he nailed it

As I was watching him (creepily), I remember telling myself

“There is no way I will ever be able to do that”

And if thats was how I was honestly feeling, then why keep trying?


So I hung up my boots

Literally, I took my character boots (that I stole from costume when the show was done - sorry Kelly) 

And I hung them up in my garage

I took up some other interests

Started studying some stuff I didn’t want to

I even became a part-time carer to my paralysed friend (miss you Sambo)

And if anyone brought up acting, I was quick to condemn it

The ridiculousness of spending a life being rejected 

The lack of power in getting work

“Too many things out of your control” I’d snap

 

After a year of being in limbo

I received an email at 7pm on a Tuesday evening

And I quote: 

“Confirming Michael Sheasby for his meeting tomorrow with Mel Gibson…”

“Michael does not need to prepare anything…”

I don’t really remember the meeting - I think we spoke about how to get rid of rabbits on farms?

But next minute, I was on set, surrounded by Mel Gibson, Andrew Garfield, Vince Vaughn, Sam Worthington 

And a large ensemble of actors all playing soldiers


Dream case scenario, right?

Nope

Still, I was miserable

I hadn’t washed the previous years experience off my skin

I found myself trying to hide from the camera

Desperately wanting to be seen, but freezing anytime the opportunity came my way

And eventually my part was whittled down to the awkward silent dude standing in the back


I felt like I was falling on my face all over again

All this work, all this sacrifice

To try get opportunities

That when I finally did get

I choked


But there was something different about this time

Andrew Garfield

Again, I was watching an actor simply not giving a fuck

Giving exactly the work he wanted to 

Generously leading from the front


But what was different, was that I focussed on his process

On how he was actually giving his work

The time he was taking before ‘takes’

The willingness to fail

The folder he was carrying around for his character

The space he would give himself to focus for what was coming up next


Something clicked

He was doing the work, just like anyone else

The difference was

When the pressure was on

He simply jumped off the cliff

He let himself fly


I didn’t sleep

I kept thinking about this

And I decided to start again


I began investing ruthlessly in external accountability

I researched who were the acting coaches to my heroes

I researched who were the best mindset coaches taking care of athletes I admired

I took my savings account my parents had spent 10 years putting my pocket money into when I was a kid (thanks mum & dad)

And I asked those coaches for help


I listened

I made some changes

And four years later I was nominated alongside my heroes


When I look back at this time, it fills me with joy

A time when I gave up focussing on all the things I couldn’t control

And started focussing on the few things I could;

My craft, my process, my breath 

And things fell into place…

Its an extraordinary time

But I know if I am wanting a 50 year career…

Then this is absolutely the best time to give up

Give up trying to control the things I can’t

And instead, focus on the things I can

It’s the best time to start again


Why am I writing this?

Honestly, a film I’m prepping for just got delayed… so I have time

And over the last few years, there have been few things which have compared with the feeling I get from working on my own process

One of those things, is helping other performers with theirs

So they can put their head on the pillow feeling proud of the work they gave


So I’m going to use this time to pass stuff on

The stuff I didn’t get from any drama school, acting class or book

The lessons, tools, tips, principles and techniques which have helped create enormous change in my craft and career

I hope these things might help you find some level of comfort during this chaotic time

So when spring kicks in and actors around the world start dusting off their boots

You’ll have some secret shit to help you take over the world

Sending hugs

m

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