Taking Risks
QUESTION:
Hey Mike! I have this project coming up. Massive for me. But the problem is I am terrified of the role. It requires really deep work from me; physical skills, emotional access & tonnes of research. Part of me wants to try, but the other part is completely terrified that I'll screw it up, not deliver the work I so desperately want to, and that I will waste the time of the wonderful cast and crew I'll be working with. So how can I trust myself to deliver when the time comes? How can I get over the fact that I feel I'm not good enough to deliver? It feels like more than self doubt, it feels like to me that I'm actually not capable of giving the work required for this role. AHHHH! Thanks so much Michael.
Yours truly,
JD
ANSWER:
Hey JD
Thank you for sending this question in
What a bloody beautiful problem to have!
The gig is already on the table
Congratulations!
Now
To dive in and commit?
Or
Let it go and pass the ball to someone else?
Let’s cut to the chase
It is very clear - based off your question - that you want to do this
You desperately want to deliver generous work
The problem?
It’s just bloody uncomfortable taking a risk when you might feel like an idiot
And how understandable!
We are social creatures
Always in relationship to each other
(No human exists outside of connection to others)
So feeling silly in front of others is an important emotion
It’s the bodies way of saying
“Hey! Stay safe! Don’t get kicked out of the tribe!”
And that signal has helped us get this far as a species
Which is a beautiful thing
Therefore
Let’s not waste any time wishing away those fears around caring what others think
They are totally normal
And likely to continue for the rest of your career
Yep
Sorry to say
But I can’t think of a great artist who doesn’t care what others think
Doesn’t get self conscious
Or doesn’t get scared when it comes to sharing their work with the tribe
The trick is
They have something they care about more
The work they are trying to contribute
It’s not that they don’t care what others think
It’s that they are clear about what’s worth caring about more.
So
Let’s notice the dissonance (your body protecting you from rejection)
And bring it back to what you want most (contributing generous, playful & honest work).
Now
When it coms to “screwing it up”
Mmm
Do me a favour
Pull out a note pad and pen
And for ten minutes
I want you to write down the achievements you are proudest of
Then
Trace those achievements back to where they began
Where was that first tiny action step that started the journey toward that achievement?
What do you notice?
Chances are
That achievement
Started by you taking some small & uncomfortable first step
Let’s use some logic here
If the things you’re most proud of, grateful for, fulfilled with in your career & life
All started with taking a risk
No matter how big or small
What’s that telling you?
Yep
Taking risks is a totally normal part of the process
So
To be clear
You want to give generous work!
You are guaranteed to have normal feelings of discomfort pop up!
But what if you take the risk and it fails?
And you just fall on your face
Hard
Well
I have never
Worked with an artist, actor, musician, athlete
Who has said
“You know mike, I wish I never took that risk”
But I certainly have heard the sentence
“I wish I took that risk”
Very, very often
So
The question becomes
What will you regret less several years from now…
Taking that risk you were yearning for even if it meant feeling silly for a moment?
Or
Staying in your comfort zone and passing the ball onto someone else?
Just remember
Taking risks
Means there’ll likely be an increase in fear
And an increase in fear
Requires an increase in two very important factors
Slowness & Kindness
When you feel the urge to go hard and fast
That’s a beautiful time to go slow & be kind to yourself
There is a reason why so many generous artists behave in slow & kind ways
They didn’t get to the point where they could sustainably give generous work
By behaving in unsustainable ways.
No one wins by you rushing
And certainly, no one wins by you beating yourself up
So
Permission to slow down
And permission to be kind to yourself
Now
I’m really drawn to a particular part of your question
The words:
“actually not capable”
Ah
Okay
Now this gets fun
We can talk about the mental side all we like
But it seems there’s something here which might not be just a story you’re telling yourself
There might be a very practical reality here
If you can sit there and honestly say that the skills required are skills you don’t yet possess?
Okay
Go possess them
What do I mean?
Confidence will come from skills
From your body knowing it can actually do the thing
And reality will make you very aware of whether you actually have the skills or not to do the thing
So
What are the exact skills you require in order to deliver work you can feel proud of?
And
Just as important
Who are the best people capable of helping you develop those skills?
I don’t care if it’s screen skills
Theatre skills
Comedy skills
Emotional access
Horse riding
Character research
Building backstories
Boxing
Ballet
Blacksmithing
Whatever
Find out what you actually need to be proficient at in order to deliver work you’ll feel proud of
Then go seek out the best coaches, colleagues, mentors, etc
Who can help you develop those skills
Remember
Skill development requires a big investment of your resources
But skill maintenance takes a significantly lesser hit on your time & energy
Meaning
Those skills you’re investing in
They will be there with you for the rest of your career
Once they are in the body
They are in the body
No one can take them away from you
And
(In case you need another reminder)
Skills are the most important investment you can make in your career
I don’t know a generous artist who regrets the time & effort they invested in developing their skills
Curious what choices you make, JD
Hope this helps
X